The wave guide Pan flute modeling
Wind instruments modeling
A short characteristic of the Pan flute
The Pan flute modeling
Physical model
Quasi-physical model
Music compositions demonstrating the Pan flute sound
The wind instruments (aerophones) produce the sound owing to the vibrating air in a cylinder. As an air cylinder we understand a certain amount of air in the space limited by the body of the instrument capable of vibratnig lengthwise. The body of a wind instrument has a very prolonged shape (his length is considerably bigger then the width and the thickness). The instruments containing prolonged air cylinders, used as vibrator, are called pipes.
The following clasification of the wind instruments can be made. We can distinguish the labial instruments (without mouthpiece -e.g. the flutes, or with mouthpiece -e.g. block flute), the single reed instruments (the clarnets, saxophones), the double reed instruments (the oboes, basoons), the limited reed instruments (the trumpets, trombones, french horns, tubas, cornets) and the limited reed instruments without mouthpiece (the human voice).
The fundamental shapes of the bodies of the wind instruments are presented underneath
a) clarinet, b) flute, c) oboe, d) ocarina. The physical aspect of a wind instrument and the reason of the domination of certain harmonics are presented underneath.
The steady-state vibration process determinates the type of an instrument. What frequencies would origin depend on whether an instrument is open or not at his end. On the picture (a) the standing waves posses loops at the end of an open cylinder. The lengths of that waves are 1/2, 1/3, 1/4 of the length of the basic wave. The waves make full harmonic series. The picture (b) presents the case, when the lengths of the succeding waves are 1/3, 1/5 and 1/7 of the length of the wave in the first case (the base wave). The waves make together incomplete harmonic series.
The waveguide modeling method, called the digital waveguide modeling method, was invented at the beginning of the 90's. The main assumption of the method is that the modeling is made by the use of a digital waveguide of the current propagation waves forming the standing wave in an instrument. The wave guide method allows many applications in the real time sound synthesis. Due to the method many wave-guide models of many instruments, not only wind, were invented.
The Pan flute is a simple semi-open instrument. In its spectrum the odd harmonics dominate. A single tube resonator (the pipe) forms the only one pitch of the sound. The change of the air cylinder (tuning) can be performed by filling up the pipe e.g. with wax. The Pan flute is often made of bambus (or the other kind of tree) or bone, but there exist many different types of the instrument depending on the region of its origin. The hole through which the air is blowed in is ubicated on the pipe side. Each of the pipes is tuned to the succeeding sound pitches and the Pan flute is tuned to the chromatic scale. The octave range of an instrument is changing from 1.5 to 2 octaves.
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The idea of the wave-guide method is modeling, with the use of digital waveguide, the propagation of current propagation waves forming the standing wave in an instrument. Wave-guide modeling is related with the solution of the wave equation and leeds to the base form of the digital waveguide of the current waves. That is presented in the picture below.
In the specific case of modeling of the wind instruments the modeling of the cylindric tubes is very important. One can define two filters of known transmitancies, naming them transmission and reflection filter. Additionally one can define the outgoing filter, related to the radiation of the sound out of the instrument.
The picture (a) presents the body of the modelled instrument. The picture (b) describes a digital waveguide modeling the propagation of the wave (assumming that there is no loss in the wave-guide). The level of the sound pressure in each point of the wave guide is equal to the sum of the values of the traveling and reflected wave. The picture (c) models a tube, whoch length is limited. The (Fa) filter is related to the reflection of the sound from the edge of the mouth of the open pipe or from the end of the closed one. The filter is a downpass filter, because simulates the damping of the high frequencies during propagation. The (Ft) filter is a highpass transmission filter, because the emiision of the sound through the mouth of the pipe rises with the frequency. The picture (4) presents a certain simplification of the picture (3). That model is called quasi-physical model. The pair of the delay lines has been substituted by the only one two times longer delay line. The propagation loss in the wave guide is determinated by the multiplier (r). The quasiphysical model has not been constructed due to the physical emission of the sound (It is assumed that the wave is not emited from that same point as in the physical instrument). The experiments showed that the reality of sound is similar to the physical model. The presented description was related to the cylindric shape of the instrument. In the case of very complicate shape the body of the instrument can be modelled by the use of the finite number of small tubes or cones.
Introducing certain simplifications the modeling of can be made with the use of DSP elements, such as digital delay line, tha table of the functions of the filters, digital filters and the scaling and summing elements.
Krotka charakterystyka fletni Pana
As It has been described before the physical model simulate aticulation effects (vibrato, tremolo) as they can be done in a natural instrument. An instrument is simulated bu the use of two digital delay lines (The lines are two times shorter than the instrument). The place, when the effects origin are describde in the picture (the plice described 'pressure + modulation')
The samlple sounds creatd using the physical model are presented below.
Quasi-physical model
The quasi-physical model was invented by dr.sc.Slawomir Zielinski (Technical University of Gdansk. Poland). The articulation is modelled in the simplificated way. The tremolo effect (cyclic amplitude change) is simulated at the end of the wave-guide model. The vibrato effect (cyclic freuency modulation) is performed by the modulation of the length of the digital delay line.
The samlple sounds created using the quasi-physical model are presented below.
Utwory muzyczne
Two sound compositions are presented underneath. The solo instrument is the synthetized Pan flute sound. The physical model has been employed.